Greenpoint

Tonight’s drink came from the minds at Milk & Honey, the renowned bar whose London outpost sadly closed at the end of 2020 (the NY original was kicked out by their landlords in 2013) – another victim of Covid shutdowns and landlords who didn’t see the need to extend some help to industries hit by the mandatory closures.

There is a great write-up about the end of the era on the Difford’s Guide website, and it is good to know the excellence of the bar lives on through the staff who went on to open Swift, Happiness Forgets & other great London bars. When I first wrote this (May 2022), the website was still live at www.mlkhny.com and the copyright date was early in 2022, so the site was apparently being maintained while both the London & New York venues looked for new homes. Sadly, at an update in September, I found the site has now expired.

The Greenpoint has a rye Manhattan base, emboldened with a yellow Chartreuse/sweet vermouth mix and shakes of both Angostura & orange bitters. The issue with Chartreuse is that is so potent a flavour, it tends to swamp everything else in the glass – but a good strong rye and vermouth have a fighting chance, at least. I’d be interested why the barman chose to marry these flavours – I wouldn’t have thought of vermouth and Chartreuse as a combination that would work, but it does here – sort of. To my mind, this needs a good long stir to dilute everything just a touch; plus I find Chartreuse a little ‘gloopy’ in the mouth (pardon the technical terminology here), so the added water just seems to help loosen everything.

To be honest, I found the one as a bit of a sipper: it’s interesting but not one to have several of, at least in my mind. The key here I think are the bitters – they counteract the herbal flavour of the Chartreuse.

To make one, stir together the rye with the vermouth, Chartreuse and bitters over plenty of ice. When well chilled and slightly diluted, strain into a cold glass and garnish with lemon peel (Milk & Honey original) or orange zest (Simon Difford’s modification)

60ml of rye (or Canadian blended whiskey with a good rye content, if you prefer)

15ml of sweet vermouth (I used Discarded here)

15ml of yellow Chartreuse

A dash of orange bitters (Bob’s Mandarin are good)

A dash of Angostura bitters

Stir very well, then strain into a well-chilled coupe.

Toronto

I discovered this when trying to find a drink that uses an amaro as an ingredient; I have a bottle of Asterley Brothers’ Dispense that really needs to be brought out more often: it has an excellent bitterness with a liquorice sweetness which is really moreish. Some online research, plus consulting my cocktail books, led to the Toronto recipe; it’s a 2006 revamp of a 1948 recipe, which in itself was based on a 1922 drink, the Fernet cocktail.

As you might have guessed, the Toronto name comes from the use of a Canadian rye-blend whiskey. I didn’t have any at home, so I made my own version by mixing a good rye (High West) with a simple bourbon (Jim Beam). The rest of the drink is amaro, sugar or maple syrup and some good bitters: the result is very spiritous version of a Manhattan, giving extra bitterness from the combination of amaro and bitters. It’s probably one to experiment with your favourite amaro – Dispense is good for this as it has a rich sweetness with the bitter, so it can take the extra bitters on top. I wondered about using my other go-to amaro, Montenegro, instead, but the richness of Dispense seemed more appropriate (Montenegro is sweeter by comparison, but not as complex overall).

To make one, stir together the rye/bourbon mix with the amaro and bitters over plenty of ice. When well chilled, strain into a cold glass, spritz over some orange zest and garnish with a cocktail cherry (Luxardo is best).

50ml of rye/bourbon or Canadian blended whiskey (I used 35ml of rye with 15ml of bourbon)

7.5ml of amaro (I used Asterley Brothers’ Dispense)

7.5ml of sugar or maple syrup

Two good dashes of bitters (I used Bittermens’)

Stir, then strain into a well-chilled coupe.

Hearth & Home

Hearth & Home

After last week’s own invention, the Mekishiko Hito, I wanted to find another similarly smoky/spicy cocktail. Bourbon & mezcal seem to be fairly common combinations, but I was surprised to find this recipe from a restaurant/bar in New York, called The Daisy: this couples bourbon, mezcal and, to my surprise, yellow Chartreuse.

The combination looked pretty unusual, and the garnish (a burning cinnamon stick) just seemed to add to the madness. The blog where I found this recipe – The Bojon Gourmet – described the resulting drink as ‘bright, herbaceous & boozy with notes of smoke & spice’. I think I would agree. Chartreuse is certainly herbaceous, the bourbon almost vanishes in the mix & the ginger liqueur adds a slow burn. I’ll be making this one for Christmas, but I will certainly be making my own ginger liqueur for that version; Stone’s Ginger Wine is great, but perhaps a little too sweet for my liking, although its reduced ABV does stop this drink form becoming an absolute monster. In terms of heritage, it’s definitely come out of the whisky sour route: bourbon & lemon juice, sweetened by the ginger, is a classic sour mix; it’s the sudden appearance of the Chartreuse that is the surprise.

Recipe:

To make one, shake together the following:

45ml bourbon

20ml fresh lemon juice

20ml ginger liqueur

20ml yellow Chartreuse (the green might be too strong here)

After a good long shake, strain into a chilled rocks glass over a single large cube. Ignite one end of the cinnamon stick and either pop the unburnt end into the drink as a smouldering straw, or balance a shorter piece on the ice, as I did. There’s no need for bitters here (it is a sour base, after all).

Mekishiko Hito

Mekshiko Hito

This is another personal creation, born out of a desire to create something that could marry the twin smokiness of whiskey and mezcal, with a good bitter heft from amaro: the intention was to create a late-evening drink to be sipped and savoured, slowly and with reflection as the ice melted. I think I got it pretty well on the first pass. The name means ‘Mexican’ in Japanese, responding to the combination of ingredients.

To make one, stir the following together over ice for a good while (45-60s): you want a little bit of dilution to occur from the off, as this ‘loosens’ the whiskey a touch. I used a really delicate Japanese blend (Togouchi) for this. I imagine if I used something like cask-strength Nika or similar, the drink would be even more potent.

The amaro was chosen as I like the flavour profile of Asterley Bros. Dispense; it’s not as out-and-out bitter as the majority of the Italian versions, it has more of a slow burn of flavour that sneaks up on you as you sip – I thought it would fit better with the mezcal/whiskey combo. Punt e Mes because well, it’s Punt e Mes. No bitters are added as the amaro/vermouth pairing provides this for you.

1oz. Japanese whiskey (Togouchi here for its delicate flavours)

1/2oz. mezcal

1oz. Punt e Mes

1/2 oz. Asterley Bros. Dispense amaro

Once stirred, strain into a rocks or Old Fashioned glass with a large cube of fresh ice. Garnish with a small piece of lemon peel. Sip slowly.

Right Hand

Milk & Honey’s Right Hand

The classic Negroni is very much like the Manhattan: it’s a variable and customisable cocktail, as long as the basic recipe (spirit-vermouth-Campari) is respected. One variation is here, from Milk & Honey‘s Mickey McIlroy: the Right Hand. Here, the gin is replaced with a dark rum, and the rum and bitter flavours are drawn together with a few dashes of chocolate bitters. The result is a lovely, rich & interesting drink, with plenty of overlapping flavours. A pal had provided me with some excellent home-made chocolate & Absinthe bitters which proved absolutely perfect. I may actually prefer this to a classic Negroni – the rum is more warming, but this wouldn’t be a great pre-dinner drink, probably too rich. But as something to sip with something salty, or after dinner, it’s a great idea.

Method:

50ml dark rum (I used Skipper here)

25ml Italian vermouth

25ml Campari

Dashes of chocolate bitters

Stir over ice in your mixing glass, then fine strain into a highball glass with a single large ice cube. Garnish with orange zest, or a dried orange slice as I did here.

Old School

I follow several Instagram accounts where the drink photography is really good, and these often lead to drinks I haven’t tried before. A happy discovery on Friday was an image of an Old School from the Dragonfly bar in Hong Kong, which sounded very interesting indeed: no proportions were given, but looking at the combination, it appeared to be a Sazerac/Manhattan variant, so I re-built their drink on that basis.

The result is really quite something – there’s a lot going here, in some really subtle proportions, and the bar has created a modern take on the classic Sazerac. The combination an amaro and a fernet in one drink could be really quite an eye-opener, but they have used very small quantities of each, and the amaro, Montenegro, is at the sweeter end of the amaro style (and also one of my favourites – so I had a bottle to hand). For the fernet, I was lucky to still have a small amount of the Britannica fernet sample that Asterley Bros sent me last month; it’s a really excellent new version of this rich and bitter drink & well worth a bottle of your time. A little trial-and-error, and I came up with something really quite smooth and delicious. If you want to be closer to the Sazerac roots, use a rye rather than a bourbon; I used bourbon & it seemed to sit well with the amaro/fernet bitterness. It’s your choice to choose the base spirit, so see what works best for you. The Lillet is the one thing I would keep as a invariable ingredient though; it has a special flavour.

My version of the Old School:

50ml bourbon

15ml Lillet Blanc

10ml Amaro Montenegro

A bar spoon of fernet – Britannica for choice

Absinthe rinse

Chill an Old Fashioned glass. Stir the spirits together over ice until well cooled. Rinse the glass with a small quantity of absinthe, so that the bottom third is coated, then drain. Strain the spirit mixture into the glass and garnish with a large slice of lemon zest, expressing the oils onto the surface before dropping the zest into the drink. I served this straight up, and it seemed to suit the drink, but if you like yours with another large ice block, have at it.

Division Bell

A Margarita variant, the Division Bell comes from the mind of Phil Ward, one of the key bartenders credited with New York’s cocktail revival in the 90s. His much-missed venue, Mayahuel, closed there in 2017 & has since re-opened amid some controversy, but some of his most popular creations from there live on. Here is the Division Bell, that pairs the smokiness of mezcal with the citrus flavours of Aperol, which leads to its connection with the Margarita. But the smoky flavours and the richness of the Aperol make this a more intriguing proposition (though I’ve nothing against a Margarita – a properly-made one with a good tequila is a wonderful thing, indeed). I have used the most available brand of mezcal in the UK, Monte Alban, which, frankly, most mezcal aficionados think is poor stuff – but it’s what you’ll mostly find here until mezcal gets the same kind of interest levels as tequila gets now. However, the results aren’t bad at all – if Monte Alban isn’t great, then the Aperol and maraschino lifts it up. This is a really clever drink – it combines elements of a Last Word with a Margarita, and makes more of both. A perfect example of just a little tweak to a recipe can make a very different drink.

Method:

30ml mezcal

22.5ml Aperol

22.5ml fresh lime juice

15ml maraschino

Shake all of the ingredients with plenty of ice, then double strain into a chilled coupe. Difford’s guide suggests grapefruit as a garnish, but I preferred orange to match the Aperol better. No bitters required, as the Aperol provides this, but if you want a more bitter-fronted drink, a few drops of Bob’s Orange & Mandarin would work nicely

Londoner with a Bulleit

Londoner with a Bulleit

My sample of Asterley Bros’ London fernet, Britannica, is proving very versatile, so I have been looking at other ways of using it. Adding a fernet or amaro to a Boulevardier recipe to give it a more cutting edge is a great variation – such as the Palpable Apathy, created by David Little at the Barnacle bar in Seattle – so I decided to try something like that with my sample of Britannica. In a piece of perfect timing, a recipe from my favourite bar, Disrepute in Soho, popped up in my Instagram feed – a Bulleit Boulevardier, developed for them by Jean-Vital at Cocktail Circus. So with a salut! to the original recipe, I have replaced the Fernet Branca with Britannica, and changed the cherry wine to a cherry brandy, just to reduce the sweetness a touch. The end result is a Boulevardier with a kick – more of a Brixton swagger than Champs-Élysées stroll – so I have renamed this one the Londoner with a Bulleit, as its full-fronted bitterness seems to evoke some 60s gangster movie set in the East End. Perhaps you need to drink this one while wearing a trilby, as an additional garnish.

Method:

40ml Bulliet bourbon

10ml Britannica fernet

15ml Cinzano Rosso

25ml Campari

10ml cherry brandy

Stir in a mixing glass with plenty of ice. Strain into a chilled coupe and garnish with a slim strip of orange zest – mandarin, if you have it.